Like many people of our generation, I admire Richter's works:
I am inspired by his pushing boundaries within painting, blurring them with photography and by his concentration. To tackle similar problems from various perspectives, and not stopping to tackle them.
However fascinated, I did sometimes wonder how the more recent works are produced.
And I feared, maybe, knowing it - I would like his works less.
That the magic would leave.
Did the magic go?
See your answers here:
Filmmaker Corinna Belz has spent years in Richters Studio documenting his working process.
Here's an excerpt on NOWNESS (click picture or link below)
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